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Tuesday 28 February 2012

The 5 very best movies of 2011

1. Drive:

The very best film of the year is Drive. A part exploitation part neo-noir thriller, Drive represents some of the the most distinctive and stylistic pieces of filmaking in the business today. It borrows heavily from many classic European exploitation films, Taxi Driver and Steve McQueen's Bullitt and yet it manages to incorporate them into the film's style without making it seem stale by comparison. Nicolas Winding Refn masterfully directed this film, making each image feel as crisp and emotionally resonant as the next. I was particularly impressed by the way he managed to capture the nightlife of Los Angeles considering that he is a Dane with almost no knowledge of the city. The retro soundtrack whether its "Kavinsky"or "College" and the pink opening titles all managed to infuse a sudden burst of energy to the film and really helped to create the dream-like romantic atmosphere the film has. The performances of the film were also excellent with Ryan Gosling providing a quiet, subtle performance which speaks volumes internally and an excellent, villainous turn by Albert Brooks.

2. Harry Potter and The Deathly Hallows Part 2


While many Potter haters may not agree on this. I for one am completely for this movie, in fact to me this was not just a movie. This was an event. Finally, we got to see the beloved Harry Potter movie series come to an end. And what a finale! This film is easily one of the most satisfying conclusions to a series ever. It's easily the best in the series and the most emotionally resonant. Everything about this movie works, the assured direction from David Yates, the nomination worthy screenplay by Steve Kloves and the wonderful performances by its 3 leads. Daniel Radcliffe, Rupert Grint and Emma Watson have matured so much as actors and have managed to create one of the best friendships ever portrayed on the silver screen. Not to mention stellar work by Ralph Fiennes as the devious Lord Voldemort, Tom Felton as Harry Potter's rival Draco Malfoy and particularly Alan Rickman as Severus Snape who should have been nominated for his performance in this film. With its brilliant set design from Stuart Craig and utterly gorgeous visuals, this is a moving closing chapter to one of the greatest movie series of all time.

3. 50/50


People have to stop calling this brilliant film the "cancer comedy" because its sooooooo much more than that.  Joseph Gordon Levitt brilliantly portrays an ordinary guy who gets cancer and tries to cope with the numerous obstacles of  his situation. This was just a beautiful movie. From start to finish, the film managed to keep me invested in the characters and had me dying in laughter in several scenes especially one involving Seth Rogan in an art convention.....so what if this movie is about cancer and yet is still hilarious, to me that is the greatest aspect of the movie. You had a great time after seeing it and you feel great after watching it. This movie also had the best script of the year in my opinion which was penned by cancer victim Will Reiser after Seth Rogan convinced him to write a movie about his experience. Plus I left this movie with one of the best movie quotes of 2011. "you can't change your situation but what what you can change is how you choose to deal with it."

4. Hugo


Unlike any other Scorsese film ever made, Hugo will always be remembered as Martin Scorsese's first G rated film. No guns, no blood just plain old movie magic. Not only does Hugo contain the best production design of the year but it also proves itself as the best movie to love the movies this year, the other being The Artist. This film is all about the magic of the movies, cinema and the pioneers of the industry. Directed with great skill by Scorsese and wonderfully acted by Asa Butterfield and Chloe Grace Moretz, Hugo is moving as it is memorable



5.The Girl with the Dragon Tattoo


When I think of this film, 2 things come into my head. Gritty and Fincher. This ambitious adaptation of the widely acclaimed Steig Larson books has been praised for many things, including its very impressive production design. Its the haunting performance of Rooney Mara that makes this movie special and of course David Fincher working at his demented best. I for one cannot wait for a possible sequel.


The remaining films:

6. Rise of the Planet of the Apes

7. Moneyball

8.Tinker Tailor Soldier Spy

9. The Artist

10. A Separation

11. Super 8

12. Rango


Monday 27 February 2012

Oscars 2012: The Shocks and Thoughts




WINNERS IN RED (IF YOU SOMEHOW COULD'NT TELL)








BEST PICTURE:
* The Artist
* The Descendants
* Extremely Loud and Incredibly Close
* The Help
* Hugo
* Midnight in Paris
* Moneyball
* The Tree of Life
* War Horse

DIRECTING:
* Michel Hazanavicius (The Artist)
* Alexander Payne (The Descendants)
* Martin Scorsese (Hugo)
* Woody Allen (Midnight in Paris)
* Terrence Malick (The Tree of Life)

ACTOR IN A LEADING ROLE:
* Jean Dujardin (The Artist)
* Demian Bichir (A Better Life)
* George Clooney (The Descendants)
* Gary Oldman (Tinker Tailor Soldier Spy)
* Brad Pitt (Moneyball)

ACTRESS IN A LEADING ROLE:
* Meryl Streep (The Iron Lady)
* Glenn Close (Albert Nobbs)
* Viola Davis (The Help)
* Rooney Mara (The Girl with the Dragon Tattoo)
* Michelle Williams (My Week with Marilyn)

ACTOR IN A SUPPORTING ROLE:
* Christopher Plummer (Beginners)
* Kenneth Branagh (My Week with Marilyn)
* Jonah Hill (Moneyball)
* Nick Nolte (Warrior)
* Max von Sydow (Extremely Loud and Incredibly Close)

ACTRESS IN A SUPPORTING ROLE:
* Octavia Spencer (The Help)
* Berenice Bejo (The Artist)
* Jessica Chastain (The Help)
* Melissa McCarthy (Bridesmaids)
* Janet McTeer (Albert Nobbs)

WRITING (ADAPTED SCREENPLAY):
* The Descendants (Alexander Payne, Nat Faxon, Jim Rash)
* Hugo (John Logan)
* The Ides of March (George Clooney, Grant Heslov, Beau Willimon)
* Moneyball (Steven Zaillian, Aaron Sorkin, Stan Chervin)
* Tinker Tailor Soldier Spy (Bridget O'Connor, Peter Straughan)

WRITING (ORIGINAL SCREENPLAY):
* Midnight in Paris (Woody Allen)
* The Artist (Michel Hazanavicius)
* Bridesmaids (Annie Mumolo, Kristen Wiig)
* Margin Call (J.C. Chandor)
* A Separation (Asghar Farhadi)

FOREIGN LANGUAGE FILM:
* A Separation (Iran)
* Bullhead (Belgium)
* Footnote (Israel)
* In Darkness (Poland)
* Monsieur Lazhar (Canada)

ANIMATED FEATURE FILM:
* Rango
* A Cat in Paris
* Chico and Rita
* Kung Fu Panda 2
* Puss In Boots

ART DIRECTION:
* Hugo
* The Artist
* Harry Potter and the Deathly Hallows - Part 2
* Midnight in Paris
* War Horse

CINEMATOGRAPHY:
* Robert Richardson (Hugo)
* Guillaume Schiffman (The Artist)
* Jeff Cronenweth (The Girl with the Dragon Tattoo)
* Emmanuel Lubezki (The Tree of Life)
* Janusz Kaminski (War Horse)

COSTUME DESIGN:
* Mark Bridges (The Artist)
* Lisy Christl (Anonymous)
* Sandy Powell (Hugo)
* Michael O'Connor (Jane Eyre)
* Arianne Phillips (W.E.)

FILM EDITING:
* Kirk Baxter and Angus Wall (The Girl with the Dragon Tattoo)
* Anne-Sophie Bion and Michel Hazanavicius (The Artist)
* Kevin Tent (The Descendants)
* Thelma Schoonmaker (Hugo)
* Christopher Tellefsen (Moneyball)

DOCUMENTARY (FEATURE):
* Undefeated
* Hell and Back Again
* If a Tree Falls: A Story of the Earth Liberation Front
* Paradise Lost 3: Purgatory
* Pina

MAKEUP:
* The Iron Lady
* Albert Nobbs
* Harry Potter and the Deathly Hallows - Part 2

MUSIC (ORIGINAL SCORE):
* Ludovic Bource (The Artist)
* John Williams (The Adventures of Tintin)
* Howard Shore (Hugo)
* Alberto Iglesias (Tinker Tailor Soldier Spy)
* John Williams (War Horse)

MUSIC (ORIGINAL SONG):
* "Man or Muppet" from The Muppets
* "Real in Rio" from Rio

SOUND MIXING:
* Hugo
* The Girl with the Dragon Tattoo
* Moneyball
* Transformers: Dark of the Moon
* War Horse

SOUND EDITING:
* Hugo
* Drive
* The Girl with the Dragon Tattoo
* Transformers: Dark of the Moon
* War Horse

VISUAL EFFECTS:
* Hugo
* Harry Potter and the Deathly Hallows - Part 2
* Real Steel
* Rise of the Planet of the Apes
* Transformers: Dark of the Moon

DOCUMENTARY (SHORT SUBJECT):
* Saving Face
* The Barber of Birmingham: Foot Soldier of the Civil Rights Movement
* God Is the Bigger Elvis
* Incident in New Baghdad
* The Tsunami and the Cherry Blossom

SHORT FILM (ANIMATED):
* The Fantastic Flying Books of Mr. Morris Lessmore
* Dimanche/Sunday
* La Luna
* A Morning Stroll
* Wild Life

SHORT FILM (LIVE ACTION):
* The Shore
* Pentecost
* Raju
* Time Freak
* Tuba Atlantic

Well there they are folks...








 The 2012 Academy Awards are over and the awards season has definitely ended with a bang. I personally found myself looking very excited for the show ever since those sweet n sour nominations were announced.

So in the end, how did it all turn out? I've decided to list some of thoughts of the show starting with...

The Host


Ever since it was announced that Billy Crystal would host this year's show, I was pretty extatic. I have always thought of him to be the absolute best Oscar host of his time and he always manages to infuse his trademark wit and best picture parodies seamlessly. This year for me was no exeption. Crystal delivered comepletly for me and I think he made the best oscar host the show has had in the past 4 years (since Hugh Jackman). He was deadpan during his opening number showcasing the 9 best picture nominees and his opening montage video had me bawling.  I already knew that this was one aspect of the show that would deliver, so I really don't think there's any need to continue discussing this. Crystal was great.

The Expected


The biggest problem with the past 7 shows(ever since the horrible Crash won) is that they are way too predictable. Last year, I was able to predict 22 out of the 24 categories including all the acting categories. This year however was a little different as I managed to predict 20 out of the 24 categories. But that's still just 4 Oscars. As far as acting goes, the likes of Christopher Plummer, Jean Dujardin and Octavia Spencer were easy calls from the beginning. Though unlike last year, I was completely fine to let them sweep the season unlike last year's Melissa Leo.

The Picture/Director categories were easy calls as well with the lovely but overrated Artist taking both categories on Oscar night. I can't say Im unhappy, though it would have been much more satisfying to see Hugo or Moneyball win since Drive and Dragon Tattoo weren't nominated. Of course it was also an easy call for Hugo's production design and The Artist's costume design and score. Also nice to see Woody Allen win Original Screenplay, it was a bit surprising to see him top Michel Hazanavicius but I wouldn't count it as a complete surprise.

The Unexpected


Meryl Streep winning Best Actress!!! WHAT!!!

Now I knew that see did have a strong chance of winning ever since she won the BAFTA but I consider it a complete travesty that deprived Viola Davis off her first Oscar. Call me pessimist but was it really that necessary to give Meryl Streep her 3rd Oscar? As much as I admire her work in Iron Lady which overall was a pretty terrible film in my humble opinion, Viola davis was a whole other level in The Help (which is also a movie I feel wasn't as good as people are saying it is) This was easily the biggest shock of the night, and the most disappointing.

One of the best surprises came in the form of Hugo winning 5 Oscars. I predicted 3, but I was overjoyed to hear its name called out for Visual Effects and cinematography. For a second there I thought it might just nab Best Picture. Also, on the topic of Visual Effects and Cinematography, despite being happy for Hugo to get these, I was very surprised not to hear Rise of the planet of the Apes and The Tree of Life not being called out in their respective categories. Apes easily was the most visually stimulating film of the year and Tree of Life was so magnificently shot, I thought it was a shoe in for the Oscar.

Also it was surprising to see the little known Undefeated to edge out Paradise Lost 3 for documentary. All of the films were great but that was quite a surprise. Still a shame to see Project Nim not on that list.

Now my favorite surprise of the night was for a relatively "smaller" Oscar, but an essential win for any film hoping to win Best Picture and that's Best Film Editing. The Girl with the Dragon Tattoo, one of my favorites of the year taking home this Oscar. This win once again reminded me that the Oscars really do look for the absolute best out of their nominees and don't just give the best picture winner or nominee the Oscar. keep in mind, this is the first time since 2008 that a non-Best Picture nominee has won this award and considering how much I liked the film, it was a glorious feeling to see Angus Wall and Kirk Baxter win their second consecutive Oscar and becoming the only editing team to ever do so.





Overall 

Well, there you have it. My thoughts on how it all went down on Oscar night. Overall, I was pleased with the show even if it was a tad too predictable. But I really can't say Im excited for next year's show. We are currently even before the possibilites phase, well maybe there's Sundance but its no call right now. More movie reviews to come!

Sunday 26 February 2012

The Awards Nazi: Contact Me

The Awards Nazi: Contact Me:

Dear Mr.Awardsnazi,


I have been an avid follower of your blog for some time now and your work has inspired me to start up my own movie themed blog. i've only written 2 articles but I was wondering if you could check it out for yourself. I would really appreciate it.


here's the address:

http://masterofmovies.blogspot.com/


tell me what you think.

WHY DRIVE DID DESERVE AN ADAPTED SCREENPLAY NOMINATION

WHY DRIVE DID DESERVE AN ADAPTED SCREENPLAY NOMINATION


One of the most glaring omissions of this year's awards season including all the precursors is the lack of love for the ambitious screenplay of Drive which just so happens to be my favorite film of the year. Upon further inspection, it can be noticed the the movie itself has received a lot of attention at the precursors especially for its directing and Albert Brooks. Now the best adapted screenplay lineup this year is very strong but it was quite puzzling to me as to why Drive's script got no attention whatsoever.

Now, it is not entirely impossible to see why Hossen Amini's script got no love. Some people thought that the movie was more of a director's piece than a writer's. Others thought that the movie had too little dialogue to warrant any recognition for the movie's dense screenplay and then there are others who simply did not like the movie to begin with. It can't be denied that one would require a little bit of patience for the movie to truly work for them. But alas, I still think the script is indeed one of the years best and I have compiled a list of reasons for why I think it should have been a nominee in this year's adapted screenplay category.


1. The Movie works because of the lack of dialogue


What's frustrating is that in today's moviegoing audience is that they can never appreciate uniqueness. Every single film must follow a basic formula in order to appeal to the masses and "make sense" for the average moviegoer. The dialogue is used to make the movie easier to follow and can often used jarringly in scenes of exposition. Unless done with the total immersion of the audience e.g.Inception,  it is a complete cop out for making the plot easy to follow.

To me, the lack of dialogue in Drive makes the movie extra special as it in turn utilises the art of telling its story, developing the characters,  their feelings and creating atmosphere all through visual storytelling. Telling the story through the characters actions or words is an artform that only few have been able to master. Take James Cameroon for instance. In his film Aliens, he manages to show the ferocious nature and passion of the character Ripley all through her expressions and her actions in the film. Likewise, in Drive we have the character of Driver, a mysterious introvert who seems to be borderline psychotic. The script does a miraculas job of setting up the character and making the audience root for him and yet he barely has any lines. Its also worth mentioning that the characters name isn't even provided. By the end of the film, he is stuck in our minds for days to come.

2. The movie has practically no exposition

This is a common problem for most of these kinds of movies. The entire first act is spent trying to explain how the characters operate and we may get to see a 5-10 minute action scene or montage showing the character in action. While this can work sometimes, it would have certainly been a very lazy and dare I say tempting move for Amini to add to Drive's script.

But in the end, the only thing close to exposition we saw in the film was the intense opening of the film where we got to see how the driver operates. His function as a driver is explained in the first minute and     his skills as a driver are shown in the first 10 minutes. This is how a film should operate, after that one scene alone, we already knew what this character was capable of and it instantly grabbed the audiences attention.

3. Its simplicity


To me, the blame for all the "arthousey" moments in Drive is taken by director Nicolas Winding Refn. It was his "dream-like"scenery that made the film so existential. however, the script must also be taken into account for its simplicity.

The relatively simple story of Drive really helped to compliment Winding Refn's style of the film. The simplicity opened many doors as to how the story could be told. A common problem with most contemporary scripts is that they do not give the director the freedom to execute the film with their vision/approach, while this can sometimes be a good thing. Think Charlie Kaufman, it may also be potentially damaging to the movie if the writer gets too self indulgent with his material. 

Fortunately for Drive, the script was completely selfless, it only cared about the characters and moving the story forward. It left the interpretation of the story all to the director. A damn good director at that.

Well that's about it folks,  hope you agree with me on this and I would love to hear what you think!

Saturday 25 February 2012

How the 2012 Oscars should have been


HOW THE OSCARS SHOULD HAVE BEEN

THE MOVIE MASTER AWARDS

BEST PICTURE

Winner in bold
I DRIVE
  1. Tinker Tailor Soldier Spy
  2. Drive
  3. The Girl with the dragon tattoo
  4. Moneyball
  5. Hugo
  6. Harry Potter and the deathly hallows part 2
  7. Rise of the planet of the apes
  8. The Descendents
  9. The Artist
  10. Take Shelter


BEST DIRECTOR
THE FETISH FILMAKER
  1. Drive-Nicolas Winding Refn
  2. Hugo-Martin Scorcese
  3. The Girl with the dragon tattoo-David Fincher
  4. Harry Potter and the deathly hallows part 2-David Yates
  5. Super 8-J.J Abrams




THE BEST SCRIPT OF THE YEAR
BEST ORIGINAL SCREENPLAY
  1. Rango
  2. 50/50
  3. Midnight in Paris
  4. Bridesmaids
  5. Take Shelter







BEST ADAPTED SCREENPLAY
  THAT ONE SPORTS FILM THAT COULD

  1. Moneyball
  2. Harry Potter and the deathly hallows part 2
  3. Tinker Tailor Soldier Spy
  4. Drive
  5. The Ides of March










BEST ACTOR
LONG OVERDUE...

  1. Gary Oldman-Tinker Tailor Soldier Spy
  2. Brad Pitt-Moneyball
  3. Michael Shannon - Take Shelter
  4. Ryan Gosling-Drive
  5. Michael Fassbender-Shame
Honorable mention: George Clooney, Woody Harrelson and Jean Dujarden







THE MAIN REASON THE MOVIE WORKS
BEST ACTRESS
  1. Rooney Mara-The Girl with the dragon tattoo
  2. Tilda Swinton- We need to talk about Kevin
  3. Viola Davis-The Help
  4. Elizabeth Olsen-Martha Marcy May Marlene
  5. Mia Wasikowska-Jane Eyre








BEST SUPPORTING ACTOR
MISSSTER POTTER

  1. Christopher Plummer-Beginners
  2. Albert Brooks-Drive
  3. Alan Rickman-Harry potter and the deathly hallows part 2
  4. Andy Serkis-Rise of the planet of the apes
  5. Nick Nolte-Warrior


BEST SUPPORTING ACTRESS
I DON'T BLOAT PHYSICALLY. ITS A GIFT.

  1. Melissa McCarthy-Bridesmaids
  2. Jessica Chastain-The Tree of Life
  3. Octavia Spencer-The Help
  4. Shailene Woodly-The Descendants
  5. Berenice Bejo-The Artist






JOHN WILLIAMS

BEST ORIGINAL SCORE
  1. The Artist
  2. Tinker Tailor Soldier Spy
  3. Drive
  4. The Adventures of Tintin
  5. Super 8


BEST SONG
REAL HUMAN BEEEIING

  1. The Keeper-Machine gun preacher
  2. Real Hero-Drive
  3. The Living proof-The Help
  4. Man or
  5. Muppet-The Muppets
  6. Lay your head down-Albert Nobbs




THE BEST IN A DISAPPOINTING YEAR


BEST ANIMATED FEATURE
  1. The Adventures of Tintin
  2. Rango
  3. Kung Fu Panda 2
  4. A Cat in Paris
  5. Arthur Christmas












BEST FILM EDITING
  1. Warrior
  2. Hugo
  3. Drive
  4. The Girl with the dragon tattoo
  5. Super 8








Best Cinematography
  1. The Tree of Life
  2. We need to talk about Kevin
  3. Tinker Tailor Soldier Spy
  4. The Girl with the dragon tattoo
  5. Drive





BEST SOUND MIXING
  1. War Horse
  2. Hugo
  3. Moneyball
  4. Super 8
  5. Sherlock Holmes: A Game of Shadows
















BEST SOUND EDITING
  1. Rise of the planet of the apes
  2. Mission Impossible: Ghost Protocol
  3. Drive
  4. Super
  5. Tinker Tailor Soldier Spy








BEST HAIR AND MAKEUP
  1. The Iron Lady
  2. Captain America
  3. Harry Potter and the deathly Hallows part 2








BEST COSTUME DESIGN
  1. Sherlock Holmes-A Game of Shadows
  2. The Artist
  3. Harry potter and the deathly hallows part 2
  4. Hugo
  5. Jane Eyre





BEST PRODUCTION DESIGN

  1. Harry Potter and the deathly hallows part 2
  2. The Artist
  3. War Horse
  4. Hugo
  5. Rango


BEST VISUAL EFFECTS
  1. Rise of the planet of the apes
  2. Harry Potter and the deathly hallows part 2
  3. Rango
  4. The Tree of Life
  5. Hugo












FILMS WITH MULTIPLE NOMINATIONS

10 nominations: Drive
8 nominations: Harry Potter and the deathly hallows part 2
7 nominations: Hugo
6 nominations: Tinker Tailor Soldier Spy
5 nominations: The Girl with the Dragon Tattoo, The Artist and Super 8
4 nominations: Rise of the planet of the apes, Rango and Moneyball
3 nominations: The Tree of Life, The Help, Sherlock Holmes: A Game of Shadows, and We need to talk about Kevin
2 nominations: Bridesmaids, Jane Eyre, Warrior, The Ides of March, 50/50, The Descendants and War Horse

1 nomination: Captain America, Shame, The Iron Lady, Machine gun preacher, Albert Nobbs,Beginners, Midnight in Paris, Kung Fu Panda 2, The Muppets and Mission Impossible: Ghost Protocol


FILMS WITH MULTIPLE WINS
4 wins: Drive
3 wins: Harry Potter and The Deathly Hallows part 2
2 wins: Rise of the Planet of the Apes
1 win: Super 8, 50/50, Rango, Tinker Tailor Soldier Spy, The Adventures of Tintin, The Artist, The Girl with the Dragon Tattoo and Moneyball.